Some thrillers go loud. Madam Sengupta goes precisely. his film shows Anurekha, a hurting mother and praised cartoonist who refuses to let her daughter’s killing turn into one more statistic. She pairs up with reporter Ranjan Banerjee, doubt between them at the beginning, to inspect the crime scene like a document, line by line, until […]

Horror is easy to over-season. Kishkindhapuri does the opposite. It builds dread the patient way—through space, silence, and the uneasy feeling that something followed you home when you weren’t looking. Directed by Koushik Pegallapati and led by Bellamkonda Sai Sreenivas with Anupama Parameswaran, this is a genre piece that trusts logic as much as jumps. […]

Phullwanti movie is the period drama story we want—sharp on place and time, full of rhythm and language, and it takes no hurry to point out what the camera shows you. The place: 18th-century Pune under the Peshwas. It tracks a famous court dancer and an honoured scholar whose clash of beliefs becomes the film’s […]

The Bhagwat movie isn’t interested in shortcuts. It doesn’t lean on jump scares or moral grandstanding; it builds pressure the harder way—through choices, silences, and the way small-town routines hide big crimes. Set around Robertsganj, this Hindi crime thriller pairs Arshad Warsi with Jitendra Kumar in a cat-and-mouse story where evidence matters more than speeches, […]